Voltage Controlled Discrete Filter VCF Eurorack Module by Stoel Music Systems

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The Stoel Music Systems Discrete VCF is a vintage-inspired voltage-controlled filter that uses several matched transistor pairs arranged in two sequential filter blocks. It sounds completely different from the famous east coast “Ladder” filter design. There are no integrated circuits or op-amps in this design. It has a gentle slope of 12dB per octave and features low pass and bandpass modes for added versatility. There are two CV inputs for modulating the filter frequency. CV input 1 is full-scale for keyboard tracking purposes, and the amount of CV input 2 is adjustable with a knob. The resonance will self-oscillate except at very low frequencies. This filter is excellent for leads, basses, and percussion sounds. All Stoel Music Systems modules feature aluminum front panels with a durable high-gloss white finish. For a crisp appearance and exceptional durability, the front panel markings are digitally printed at high-resolution with UV-cured ink. Mounting holes are plated to significantly reduce screw rash. The power connection features polarity protection to prevent accidental damage to the module if it is connected backward. Each module includes a 12” long 10-pin to 16-pin ribbon cable compatible with the Eurorack standard, M3 mounting screws, and a complimentary sticker.

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Spring Reverb Module for Eurorack Modular Synth by Stoel Music Systems

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REVERB TANK AND CABLE NOT INCLUDED The Stoel Music Systems Spring Reverb is a flexible spring reverb module with extended features. In addition to standard level, wet/dry mix, and tone emphasis controls, the feedback control re-introduces the reverb signal back at the input. At low settings, this increases the density of the reverb. At high settings, it will cause oscillation. The level at which oscillation occurs will depend on the reverb tank used. In addition, a 100% wet output and a feedback input jack allow for external feedback signal processing. For example, by sending the feedback signal through a filter, unique reverb textures can be created, and the feedback control can be further exploited for sound design. Reverb tanks use electromechanical technology dating back to the 1940s, so some noise is expected, even under ideal conditions. If the case is moved while the reverb is turned up, the user may hear a loud “crash” sound. This is caused by the springs hitting the sides of its metal enclosure. This behavior is normal. When locating the reverb tank in the case, place it as far away from the power supply as possible to avoid picking up hum and noise. A switching power supply is generally quieter than one that uses large transformers. Some level of hum and noise is expected in any installation due to the nature of the electromechanical reverb spring and magnetic pickups. Experimenting with the placement and orientation of the reverb tank may be necessary to achieve the best results. Mechanical noise can be minimized by using the included mounting grommets and mounting the reverb tank away from vibration sources such as speakers or drum pads. High signal levels will also reduce the signal-to-noise ratio, resulting in better sound quality. The red RCA jack goes to the output of the reverb tank, and the white RCA jack goes to the input. Reversing these connections may cause unexpected results or no sound. Other reverb tanks may be experimented with as well. Compatible tanks will have an 800-ohm input impedance and 2575-ohm output impedance. Different impedances may work, but results may vary. We recommend the following (reverb tank not included): 9.25” long reverb tanks 8EB1C1B: Horizontal/open side down, 3 Spring, Short Decay 8EB2C1B: Horizontal/open side down, 3 Spring, Medium Decay 8EB3C1B: Horizontal/open side down, 3 Spring, Long Decay 8EB2C1A: Horizontal/open side up, 3 Spring, Medium Decay 17” long reverb tanks 4EB3C1B: Horizontal/open side down, 2 Spring, Long Decay 4EB2C1B: Horizontal/open side down, 2 Spring, Medium Decay 9EB2C1B: Horizontal/open side down, 3 Spring, Medium Decay 9EB3C1B: Horizontal/open side down, 3 Spring, Long Decay All Stoel Music Systems modules feature aluminum front panels with a durable high-gloss white finish. For a crisp appearance and exceptional durability, the front panel markings are digitally printed at high-resolution with UV-cured ink. Mounting holes are plated to significantly reduce screw rash. The power connection features polarity protection to prevent accidental damage to the module if it is connected backward. Each module includes a 12” long 10-pin to 16-pin ribbon cable compatible with the Eurorack standard, M3 mounting screws, and a complimentary sticker. REVERB TANK AND CABLE NOT INCLUDED

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ADSR Envelope Generator in Dark Mode for Eurorack Modular by Stoel Music Systems

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The Stoel Music Systems ADSR in Dark Mode provides a classic synthesizer envelope. Attack, decay, sustain, and release are all controlled with knobs. The ADSR envelope output is provided in both normal and inverted forms. The manual trigger button fires off the ADSR without a gate signal present, which is excellent for playing sounds live or sorting out complicated patches. All Stoel Music Systems modules feature aluminum front panels with a durable high-gloss white finish. For a crisp appearance and exceptional durability, the front panel markings are digitally printed at high resolution with UV-cured ink. Mounting holes are plated to significantly reduce screw rash. The power connection features polarity protection to prevent accidental damage to the module if it is connected backward. Each module includes a 12” long 10-pin to 16-pin ribbon cable compatible with the Eurorack standard, M3 mounting screws, and a complimentary sticker.

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Linear Mixer in Dark Mode for Eurorack Modular by Stoel Music Systems

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The Stoel Music Systems Linear Mixer in Dark Mode provides four inputs and one output, each with a linear tapered level control knob. Linear controls are best suited to mixing control voltages. The Linear Mixer can be used to mix audio, but the response of the knobs will be somewhat different. The only difference between the linear mixer and log mixer is the response pattern of the knobs. All Stoel Music Systems modules feature aluminum front panels with a durable high-gloss white finish. For a crisp appearance and exceptional durability, the front panel markings are digitally printed at high resolution with UV-cured ink. Mounting holes are plated to significantly reduce screw rash. The power connection features polarity protection to prevent accidental damage to the module if it is connected backward. Each module includes a 12” long 10-pin to 16-pin ribbon cable compatible with the Eurorack standard, M3 mounting screws, and a complimentary sticker.

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Balanced XLR Out in Dark Mode for Eurorack Modular by Stoel Music Systems

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Low-quality direct boxes tend to distort easily and lack bass response because they are usually designed for handling low-level signals from passive guitar pickups. In addition, modular synthesizers have very high signal outputs, well beyond what a typical direct box can handle without distortion. The Stoel Music Systems Balanced XLR Out in Dark Mode addresses all of these problems in a convenient Eurorack module. Featuring a broadcast-quality balanced line driver, an LED meter, level control, and a rugged gold-plated Neutrik XLR connector, the Stoel Music Systems Balanced XLR Out delivers clean signals to your mixer, audio interface, or sound system, even if it is hundreds of feet away. Both gigging and studio musicians can benefit from excellent sound quality, the ability to drive hundreds of feet of balanced XLR cable with low distortion and noise, and the simplicity of just plugging in an XLR cable. The LED bargraph shows the presence and level of signals, making troubleshooting easier. The volume control can be dialed in over a range of signal levels. Even in a crowded rack, the LED meter is easy to see, and the knob is large enough to grab quickly and set accurately. Plus, the module stays mounted in the rack, so it can’t get lost like a direct box or cable adapter. The XLR output uses a gold-plated Neutrik connector. The output circuit features short circuit protection and can drive a shorted cable indefinitely without damage. The output is protected against phantom power, even when cables with phantom power applied are unexpectedly unplugged. This module does not require phantom power to operate." All Stoel Music Systems modules feature aluminum front panels with a durable high-gloss white finish. For a crisp appearance and exceptional durability, the front panel markings are digitally printed at high-resolution with UV-cured ink. Mounting holes are plated to significantly reduce screw rash. The power connection features polarity protection to prevent accidental damage to the module if it is connected backward. Each module includes a 12” long 10-pin to 16-pin ribbon cable compatible with the Eurorack standard, M3 mounting screws, and a complimentary sticker.

WeiterlesenBalanced XLR Out in Dark Mode for Eurorack Modular by Stoel Music Systems