Avid HD OMNI Preamp and Monitoring Interface

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An All-in-one SolutionThe next generation of Pro Tools | HD is here! HD OMNI is your all-in-one Pro Tools | HD audio interface solution. Rocking a pair of mic pres paired with additional analog and digital I/O, the HD OMNI gives you 4 x 8 analog I/O along with 8 x 8 digital I/O for effortless connectivity with Pro Tools | HD, along with two extra channels of "Cue" output. Avid also includes the "Curv" analog soft-knee limiter, which allows for hotter tracking and provides a safety net against potential clipping due to unexpected transients. The HD OMNI's integrated monitoring section and 14 x 26-channel mixer lets you monitor in up to 7.1.Avid HD OMNI Audio Interface Features at a Glance:4-in/8-out project audio interfaceDigitally controlled Mic Preamps/Line/DIFlexible analog and digital I/OSame flagship converters as HD I/OPersistent surround monitoringFold-down to any monitor format14x26 channel mixerPristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversionHigh-quality, low-noise analog I/O: 2 premium, digitally-controlled mic/DI preamps, 4 line inputs, 8 line outputs, with true analog gainVersatile digital I/O, with sample rate conversion on all inputs: 8 channels of ADAT I/O (supports S/MUX II and IV), 2x8 channels of AES/EBU I/O, 2 channels of S/PDIF I/ORoute audio independently from Pro Tools with the persistent 14X26 pass-through mixerCompletely integrates with Pro Tools | HD for full routing, mixing, and monitoring controlTrack hotter signals and smooth out tracks with Curv, a new built-in soft-knee limiterHear your mixes from stereo to 7.1 surroundImprove communication while tracking with dedicated cue pathKeep things in sync with dedicated Word Clock and Loop Sync I/OCompact 1U rack-mountable chassisConnects to Pro Tools | HD through a DigiLink Mini connection (adapter included)A fantastic all-in-one solution for Pro Tools | HD - The Avid HD OMNI!Additional MediaHD OMNI GuideTech SpecsForm Factor:Rackmount Simultaneous I/O:4 x 8 Analog, 8 x 8 Digital A/D Resolution:24-bit/192kHz Number of Preamps:2 Phantom Power:Yes Analog Inputs:4 x XLR (Mic), 4 x TRS (Line), 2 x TRS (Return) Analog Outputs:1 x DB25 (8 Ch.), 2 x TRS, 2 x TRS (Send), 1 x TRS (Headphones) Digital Inputs:1 x AES/EBU (XLR), 2 x S/PDIF (Coax, Optical), 1 x ADAT (Optical, 8 Ch.) Digital Outputs:1 x DB25 (AES/EBU, 8 Ch.), 2 x S/PDIF (Coax, Optical), 1 x ADAT (Optical, 8 Ch.) Computer Connectivity:PCI Clock I/O:1 x Word Clock (In/Out on BNC), 1 x Loop Sync (In/Out on BNC) Rack Spaces:1U Manufacturer Part Number:9900-58631-40

WeiterlesenAvid HD OMNI Preamp and Monitoring Interface

Zoom R16 Portable Multitrack Recorder Controller and Interface Good Condition

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Policy Payment Buy it now: Please pay when you purchase. Auction: Please pay within 1 day after the auction closes.Cancellations & Returns Cancellations or returns will be accepted only if the item was not the item mentioned in the listing description. If that is, please let us know within 3 days of you getting the item including pictures and videos.International Buyers Import duties, taxes, and charges are not included in the item price or shipping. Charges are normally collected by the delivering freight company or when you pick the item up - do not confuse them for additional shipping charges. We don't ship to P.O. boxes.Disclaimer We also offer our products through other channels, which may result in items being out of stock even if we make every effort to maintain accurate inventory levels. If it happens, we promptly send a message to our customers and they are obligated to respond to the message in 48 hours and cooperate with us to resolve the case.

WeiterlesenZoom R16 Portable Multitrack Recorder Controller and Interface Good Condition

sE Electronics BL8 Boundary Microphone

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eBay Listing Design by OCDesignsOnline Home View all listings About Us Feedback Faq Contact Us sE Electronics BL8 Boundary Microphone Description Item Includes Specifications Description Delivering an all-metal, tank-like build quality and extreme flexibility for a range of live and studio applications, the BL8 Boundary Microphone from sE Electronics sports a half-cardioid, 3-micron true condenser diaphragm for exceptional sensitivity in the low-frequency range, making it ideal for kick drum miking. With onboard controls for two different low-cut frequencies (80 or 160 Hz), two different attenuation levels (-10 or -20 dB), and two different EQ voicings (Classic or Modern), the BL8 is versatile indeed, deftly handling ambient room miking, pianos, and more with exceptional clarity. The transformerless, class-A circuitry in the BL8 ensures enough headroom to avoid distortion and an ultralow-noise signal with plentiful transparency. The tour-ready enclosure sports a dent-proof grille and gold-plated XLR contacts to survive the rigors of the road, and the durable design can also support the Kelly Shu Flatz Isolation System, ideal for heavy touring applications. This microphone includes a carry pouch for safe transport. Low Cut This switch allows you to curb low-frequency response at two different frequencies (80 or 160 Hz) or leave it flat. For applications like room miking or speech, the low-cut switch reduces unwanted footfall noise and rumble. It can also be used to minimize proximity effect. Attenuation Pad The attenuation pad reduces the microphone's signal by 10 or 20 dBs when activated, preventing loud sources from overloading your mixer, preamp, or audio interface. In its center position, the pad is deactivated, and the microphone's output is unaffected. It is recommended that you initially activate the 10 dB attenuation when miking a kick drum. For very loud sources, you may need to activate the 20 dB attenuation. Moderately loud sources should be fine at the 0 dB setting. Character The ideal studio kick drum tone is often different than preferences in a live sound environment. Similar to the award-winning kick-drum mic, the V KICK, the BL8 offers Classic and Modern character voicings. These options both cut and shape the low-mid frequencies to emphasize transients and punch. In its center position, the capsule's neutral response is retained, which is ideal for a plethora of other applications. Swappable Capsule The capsule inside the BL8 can be swapped for an alternative, such as the sE8 omnidirectional capsule, to allow for an even greater range of applications. Simply turn the screw at the center of the mic's grille until its loose, remove the capsule retainer screw, and replace. Surface Mounting Using screws, the BL8 can be mounted to a surface, wall, ceiling, or the lid of a grand piano. Simply open the microphone as you would if you were changing the capsule. The two mounting points are covered with black stickers; remove them with a sharp tool. Then, use a sharp tool to punch through the underlying protective foil, and mount as desired with screws (not included). Box Contains sE Electronics BL8 Boundary Microphone 1 x sE Electronics Microphone Item Includes Box Contains sE Electronics BL8 Boundary Microphone 1 x sE Electronics Microphone Specifications BrandsE ElectronicsColorBlackForm FactorBoundary/Surface MountMaximum SPL143 dB SPLModelsE Electronics BL8-UMPNSEBL8UPolar PatternHalf-CardioidForm FactorBoundary/Surface MountElement Type1x CondenserPolar PatternHalf-CardioidFrequency Range20 Hz to 20 kHzMaximum SPL143 dB SPLAnalog Output1x XLR 3-Pin Male (on Mic)Power SourcesPhantom PowerIntended Sound SourcesPiano, Drums, Percussion, Kick Drum, Instruments, Choir, Orchestra, Room AmbianceSound FieldMonoPad-10 dB -20 dBHigh-Pass Filter80 Hz 160 HzTone AdjustmentMid Boost Mid CutImpedance60 OhmsLoad Impedance> 1 KilohmsSensitivity25 mV/PaDynamic Range129 dB (without Pad) 149 dB (with Pad)Signal-to-Noise Ratio80 dBEquivalent Noise Level14 dB A-WeightedColorBlackMounting Thread SizeNo Mount IncludedConstruction MaterialMetalDimensionsH: 1.12 x W: 3.74 x L: 5.47 / H: 2.84 x W: 9.5 x L: 13.89 cmWeight19 oz / 538 g Payment Policy PayPal is our only method of payment. 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WeiterlesensE Electronics BL8 Boundary Microphone